genevieve schmenevieve

kingshezza:

finding fanfiction i haven’t read yet

image

(via rainbowrowell)

— 3 weeks ago with 113956 notes

beckycloonan:

inkytasty:

typette:

djlegz:

sizvideos:

Video

Assassin’s Creed screams in the distance

someone write a youth fantasy novel about this damn thing

Oh….my…..give this to me now.

*heavy breathing*

— 1 month ago with 135900 notes

latenightseth:

Seth’s writers get to make Seth say whatever they want, whether he likes it or not.

— 1 month ago with 621 notes

abbyboeh:

Hey guys! Here’s some assets I made for Light Grey Art Lab’s Dream Arcade show! The stuff in this level was designed by yours truly, and the talented folks at Light Grey designed the level and made everything work smoothly and look awesome! My level is #19, but all the other levels are amazing!

You can play it here!

(via lightgreyartgallery)

— 1 month ago with 1652 notes

iguanamouth:

anyway howd he get in there

— 1 month ago with 56104 notes
extremehomestuckshipping:

these are the billboard signs I’d like to see while driving instead of Viagra or some shit

extremehomestuckshipping:

these are the billboard signs I’d like to see while driving instead of Viagra or some shit

(Source: art-directter, via chrisisthebatman)

— 1 month ago with 236972 notes

cross-connect:

reblog from ladyinterior:

Postcards For Ants, Lorraine Loots

So… I should just give up now. That’s the logical conclusion to this, right?

(via chrisisthebatman)

— 1 month ago with 222132 notes

uberzers:

I was expecting an explanation at the end of this but there wasn’t any. 

GOOD GRIEF…

(Source: blackspider, via chrisisthebatman)

— 1 month ago with 367036 notes

lexxercise:

montiray:

Well Strip Search is technically over and I never did finish these. I started drawing all the Strip Search contestants as Pokemon Gym Leaders…I have everyone’s type figured out!

HHGNN Maybe I’ll have time to crank out the rest in the future!

FUCK YEAH FROSLASS

Monica u da bes.

— 1 month ago with 699 notes

lexxercise:

I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you :>

BRUSHES

Pencil

I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes.

Ink Pen

Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles.

Round Brush

The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all. I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without.

Flat Brush

A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.

Watercolor

Best used for smooth blending, washes, gradients, and smoky atmospheric effects.

Cloud

Basically a grittier version of the watercolor tool, because too much smoothness weird me out. Good for clouds and fog, as the name suggests, or just less boring gradient fills.

TEXTURE OVERLAY

To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always this one, which I scanned and edited myself. You’re all welcome to use it, no permission required!

Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. That’s it!

Want a more prominent texture? Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity. You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety.

Hope that helps!

-L

— 1 month ago with 71424 notes